I’ve always done a lot of photography at my Uncle’s farm–it’s simply too beautiful not to take advantage of the opportunity to capture this part of North Carolina’s spectacular rural beauty. But recently I’ve been taking a lot more photographs with the past in mind. I grew up coming to the farm on a regular basis and spent a lot of time there during my summers. My grandmother, who still lives here, was my champion when I was a little kid. She made me feel loved completely–unconditionally–and made me feel special (as I’m sure she made my sister and brother feel as well). Her love (and my grandfather’s) was the balm that helped me cope with the effects of child abuse, yet the trauma of that abuse haunted the sunny fields and cold creek water I ran through during the summer. No matter how joyful my time at the farm, a darker undercurrent always made itself felt.
The farm is full of amazing memories–memories of love and healing but also an underlying fear that the love couldn’t quite touch–yet. I created a mobile series called “ghosts and shadows” to represent and work through my conflicting feelings in relation to the farm. I’m nostalgic and I’m wary. And I’m full of love for that little girl who was so lost and yet so at home on the farm.
A couple of weeks ago the Holga 25mm f/8 lens I ordered from Hong Kong arrived. I finally took it out of the box and decided to play around this afternoon. I shot with a sepia filter. I love the air of mystery, even enchantment, it can lend to a scene.